FRENCH 193
SPECIAL TOPICS: “Diasporas post-coloniales des Antilles au Québec”
Fall 2003, Meeting Time: TBA, Room: TBA

Christophe Ippolito
WPC 209, x62920
cippolito@uop.edu
Office hours: MW TBA and by appointment
Web site: www.uop.edu/~ippolitc
Course code on your on-line BlackBoard 6: FRNCH 193-FA03

REQUIRED TEXTS

1. Ludwig, Ralph (ed.). Écrire la parole de nuit. La nouvelle littérature antillaise. Paris: Gallimard, 1994. Collection Folio-essais #239. ISBN2-07-040204-5.
2. Glissant, Edouard. Le discours antillais. Paris: Galllimard, 1997. Collection Folio-essais, #313. ISBN 2-07-074622-4.
3. Robin, Régine. La Québécoite. Montréal: XYZ, 1993. ISBN 2-89261-080-X.
4. Laferrière, Dany. Je suis fatigué. Montréal: Lanctôt [PCL/petite collection lanctôt], 2001. ISBN 2-89485-181-2.
Recommended: Harper Collins Robert French Dictionary, 3rd edition.  All these texts are available at the College Bookstore.
 

COURSE OBJECTIVES AND DESCRIPTION

This course will examine the cultures of Francophone postcolonial diasporas in the Americas.  The focus will be on multicultural and marginal social practices of French-speaking minorities from Canada to the Caribbean, as represented in music, film, art, literature, television and other media.  The course will examine in particular the notions of créolité and antillanité, and immigrant literature in Québec.  We will also reflect on the notions of gender, bilingualism and Francophonie, and will analyze current French foreign policy.
Materials for this course will be drawn from excerpts of recent works, journal articles and visual documents (collected in a reader or on-line), popular songs, films, recent TV documentaries, and four texts, including a novel and three collections of short stories and essays.  After introducing Francophone culture in the Americas, we will study it in two different contexts.  Class discussion and questions will take place in French.
 

HOMEWORK AND ASSIGNMENTS

1. Papers (2) are prepared in class (the first, on Caribbean culture: 8 pages, the second on the notion of diaspora as illustrated by at least two examples of different cultures: 10 pages—15+ for majors).  They will be typed, double spaced, with a margin of 1.25 inches on all sides.  The papers must be your own work.  Plagiarism (as defined in the Student Handbook) is banned.  Part of the assignment is to learn to proof-read your own work.  After your outline is completed, you will submit a first draft of the paper.  A week later, you will submit a revised and corrected final version.  Both grades will be average to calculate the final grade for the paper.  Accents must be typed in, not written in pen or pencil.  Papers turned in late will receive a penalty of one letter grade per 24 hour period.
2. Oral Presentations (2): On the required texts or other documents provided.    They may be presented in groups. 10 minutes max. Provide visual aid and copies for fellow students as needed, includig a one-page outline. Cultural analysis of the documents. Importance and relevance for our topic. Present 1-2 problems.
3. Weekly Web Reports to be posted on the Blackboard weekly forums.  They shall include your brief comments (at least 2 paragraphs in French, 5-10 lines each), questions (at least 4) and eventual links or attached files, on the readings assigned for the week, including required texts, reports, films, documentaries, Internet research and other documents.  They have to be posted on Sunday by 8 p.m. for the following week for other students to read them in time.  This exploratory writing will prepare you for discussion in class and may be used for your papers and presentations.
4. Final Project.  To be prepared in groups of 3 or 4, the project will address a particular aspect of Francophone diasporic cultures to be determined by the students in each group.  Each student will present a section of the group project (10 minutes max.).  Delivery, originality of the material presented, quality of the research, and sources, will be subject to peers’ and instructor’s evaluation.  Particular attention will be paid to the coherence of the group project as a whole.  Practice and time yourself to 10 minutes.  Use any props which will make you talk more interesting and easy to follow for the audience: pictures, maps, charts, realia, etc.  Be attentive when taking notes; it is best to put the information into your own words as you are taking notes from your sources.  Prepare documentation of your sources to turn it, including Internet sites.  Do not read the report.  You may have brief notes, but they must be on index cards.  Reading a report will result in a reduction of one letter grade on the project. The same rules apply for individual oral presentations.
5. Preparation of class assignments as reflected in class participation.
 

COURSE EVALUATION

1. 30%  Midterm Paper (on Caribbean culture) & Term Paper (on a comparative and cultural study of the notion of diaspora) based on...
2. 10%  At least two Oral Presentations : on the required texts or other relevant cultural documents (or any combination of both).
3. 30%  Weekly Web Reports and results on online research posted on the forums on the readings, films and other documents.
4. 10%  Final Project (groups of 3-4 students; posted on the forum): research, content, organization, delivery.
5. 20%  Active Participation in class. Work in groups on class activities. Attendance and participation are graded.
 

COURSE POLICIES

1. Attendance: Attendance in class is mandatory.  It is also a very important part of the final grade, as classes can be considered as workshops.  Since attendance is essential in this course, regardless of their combined grade average, students with more than 5 absences will not receive an A, those with more than 10 will not receive an A or a B, and students with more than 15 absences will automatically receive a F.  Excused absences require written documentation, such as Dean or Doctor’s statement in case of illness (one exception: religious holidays). Two late showings count for an absence.
2. Preparation: Students (and/or groups of students) are expected to be well prepared before the actual classroom time so that the class time can be fully used for practice at a desired pace.  This includes completing all reading assignments in time.  Two hours of preparation or more are usually necessary for each class period.
3. Any delay for a given assignment will automatically lower your grade for this particular assignment by a letter grade.
4. Tutors, peers or others may be consulted on ungraded assignments only, and with the instructor’s permission.  Plagiarism of sentences, texts and other documents is banned and will be handled according to the UOP Honor Code.  Specialized  Internet search engines now make the task of identifying plagiarism a fast and easy one.
5. UOP Honor Code: The University Honor Code is an essential element in academic integrity.  It is a violation of the Honor Code to give or receive information from another student during an examination; to use unauthorized sources during an examination; or to submit all or part of someone else's work or ideas as one's own.  If a student violates the Honor Code, the faculty member may refer the matter to the Office of Student Life.  If found guilty, the student may be penalized with failure of the assignment or failure of the course.  The student may also be reprimanded or suspended from the University.  A complete statement of the Honor Code may be found in the Student Handbook, Tiger Lore.
6. Retention of Pedagogical Material: Copies of students' work may be retained to assess how the learning objectives of the course are being met.
7. Students with disabilities: Please notify me about any special needs during the first week of the semester.  Those students needing accomodations due to a disability should arrange a meeting with me during office hours and provide an accomodations request letter obtained from the Office of Services for Students with Disabilities in Bannister Hall, Room 101.
8. The following schedule is subject to changes.  Any changes will be announced in class, ahead of time.  Should you be absent on a day a change is announced, it is your responsibility to remain apprized of all changes.
 

Semaine 1
Contenu du cours
A préparer
TBA Introduction, presentations.
TBA Discussion : The concept of diaspora.  Colonization, decolonization, postcolonialism in Francophone America. Online activities: Post (or bring) definitions/illustrations of the concept of diaspora..
Semaine 2  
Lundi 2 
septembre
Read Ralph Ludwig’s introduction and René Depestre’s “Adieu à la Révolution” and “En fils créole de la francophonie” in Écrire la parole de nuit, 11-25, 53-57.  Weekly web posting on Blackboard: this week’s readings.
Mercredi 4
septembre
Read René Depestre, “Les aventures de la créolité. Lettre à Ralph Ludwig,” in Écrire la parole de nuit, 53-57.  Online activities: Research on Caribbean culture. Post your result on the weekly forum. 
Vendredi 6 septembre TV documentary (excerpts): Aimé Césaire
Discussion: Caribbean culture.
Semaine 3
Lundi 8
septembre
Read Sylviane Telchid, “Mondésir” (French & Créole version) in Écrire la parole de nuit, 95-110.  Weekly web posting: this week’s readings.
Mercredi 10 
septembre
Read Hector Poullet & Sylviane Telchid, “'Mi bel pawol mi !’ ou Éléments d’une poétique de la langue créole,” in Écrire la parole de nuit, 181-190.  Online activities:  Research on the Créole language. Create sentences in créole. Post your results on the forum.
Vendredi 12 septembre Workshop: The Créole language.
Semaine 4
Lundi 15
septembre
Read Édouard Glissant, “Le chaos-monde, l’oral et l’écrit,” in Écrire la parole de nuit, 111-129.  Weekly web posting: this week’s readings.
Mercredi 17 
septembre
Read Glissant, “Le premier voyage,” in Écrire la parole de nuit, 59-65.  Online activities: Research on Caribbean music. Present a song.
Vendredi 19 septembre Discussion: Caribbean music. Workshop on your outline. 
Music: Analysis of songs and videos by King Daddy Yod and Joëlle Ursull.
Semaine 5  
Lundi 22 
septembre
Discussion of the outlines and reports (both should be posted on the weekly forum).
Film (excerpts): Euzhan Palcy, Rue case-nègres.
MIDTERM PAPER (on Caribbean culture; outline).
One-page report on one story of your choice in Écrire la parole de nuit, to be posted on the week’s forum.
Mercredi 24 septembre Read Gisèle Pineau, “Tourment d’amour,” in Écrire la parole de nuit, 79-87.  Weekly web posting: this week’s readings.
Vendredi 26
septembre
Workshop: Midterm Paper.
Semaine 6
Lundi 29 septembre  Read “À partir d’une situation 'bloquée’,” “À partir de ce discours dans un discours” (13-18), “À partir d’une présentation faite de loin, il y a quelque temps,” “À partir des traces d’hier et d'aujourd’hui, mêlées,” “À partir du cri” (21-28), in Édouard Glissant, Le discours antillais. MIDTERM PAPER (first draft).
Weekly web posting: this week’s readings.
Mercredi 1er octobre Read “L’amorce,” “Repères: La francisation,” “Événement,” “Repères: la logique historique des rapports,” “La dépossession” (72-113), in Le discours antillais. Online activities: Research on Glissant and his theories.
Vendredi 3 
octobre
Discussion: Glissant and his theories.
Workshop: Midterm Paper.
Semaine 7
Lundi 6 
octobre
Read “Émigrés, enfants d’immigrés” (126-138), in Le discours antillais. MIDTERM PAPER (Final version). 
Weekly web posting: this week’s readings.
Mercredi 8 
octobre
Read “Épisodes de la dérision” (208-217), “Repères: Les occasions ratées,” “Pans et périodes” (268-274), Tableau sur la production littéraire (318-319), in Le discours antillais.
Vendredi 10 octobre TV documentary (excerpts): Second regard: Aimé Césaire, chemin faisant. Discussion: Liens Canada-Antilles
Semaine 8
Lundi 13 
octobre
Read “Musiques” (382-387), “Repères: les ruses du créole” (399-400), “Note complémentaire 2 sur une pseudo-relation” (433-435), “Montréal” (449-453), “Poussières” (519-520), “Le regard de l’autre” (522-535), in Le discours antillais.  Weekly web posting: this week’s readings.
Mercredi 15 octobre Read “Québec” (566-567), “Documents” (569-574), “Le créole” (589-601), “Le créole partagé” (611-615), in Le discours antillais. Online activities: Research on orality in the Caribbeans.
Vendredi 17 octobre Discussion: Orality in the Caribbeans.
 
Semaine 9
Lundi 20 
octobre
Read “Textes du dogme de Cham,” (813-822), “Sur une pré-enquête: le cas Suffrin” (660-674), in Le discours antillais. Weekly web posting: this week’s readings.
Mercredi 22 octobre Read “Identité culturelle” (752-755), “Résolutions, résolution” (799-803), “Tableau de la diaspora” (809), in Le discours antillais. Online activities: Research on religions in the Caribbeans. 
Vendredi 24 octobre Discussion: Religions in the Caribbeans.
Semaine 10
Lundi 27 
octobre
Read Robin, La Québécoite in time for today.  Read particularly La Québécoite, 11, 13, 205-225 (postscript). The novel’s form. Report on the whole novel due and posted on the forum by today.
Weekly web posting: this week’s readings.
Mercredi 29 octobre  Read La Québécoite, 15-37, 52-67 (the condition of immigrant). Online activities: Research on immigration patterns in French Canada. 
Vendredi 31 octobre Discussion: Immigration patterns in French Canada. 
TV documentary (excerpts): Le Nationalisme québécois.
Semaine 11
Lundi 3 
novembre
Read La Québécoite, 67-112 (Becoming a Canadian).  Weekly web posting: this week’s readings.
Mercredi 5 novembre Read La Québécoite, 37-51, 67-74, 139-141, 155-165, 192-200 : Jewish Identities.  Online activities: Research on the Canadian Jewish Community/Religion in Québec.
Vendredi 7 novembre Discussion: The Canadian Jewish Community/Religion in Québec.
Film (excerpts): Arcand, Jesus of Montreal.
Semaine 12  
Lundi 10 
novembre
Read La Québécoite, 113-139 (Paris-Montréal) and 141-155, 166-167 (life in Canada).
Read La Québécoite, 171-191, 200-206 (Love at Jean-Talon). 
TERM PAPER (on the notion of diaspora; outline). Weekly web posting: this week’s readings.
Mercredi 12 novembre TV Documentary: Québec : Un pays, une musique (FR3 1984). Online activities: Research on Gender Issues in Québec.
Vendredi 14 novembre Music: Song and Videos: Luc de la Rochellière, Les Architexts.
Discussion: Gender Issues in Québec.
Semaine 13
Lundi 17 
novembre
Read “Oeuvre : Une autobiographie américaine” (131-143), “Un rêve” (36-38), “Autoportrait” (50-55), “Je suis fatigué” (13), “Le Square Saint-Louis” (13-15) in Je suis fatigué TERM PAPER (first draft).
Weekly web posting: this week’s readings.
Mercredi 19 novembre Read “Un, deux, trois libraires,” “Le voyage,” “Le choc culturel,” “Le premier roman,” “Le folklore” (66-77) in Je suis fatigué Online activities: Research/Presentation on Montréal.
Vendredi 21 novembre Discussion: Montréal and Québec.
Semaine 14
Lundi 24 
novembre
Read “Noir/Blanc,” “Le Colonialisme,” “L’Amérique” (77-89) in Je suis fatigué.
Discussion: French Canadian Identity today.
TERM PAPER (final version).
Weekly web posting: this week’s readings.
Online activities: Research on French Canadian Identity today.
26-28 nov. Thanksgiving Break. 
Semaine 15
Lundi 1er décembre Read “La Langue, ” “La Guerre des langues, ” “Qui choisir” (89-94) in Je suis fatigué Weekly web posting: this week's readings.
Mercredi 3 décembre Read “L’Argent, ” “Ma condition d’homme, ” “L’Ami mort, ” “Le Voyage et le retour” (94-100, 116-125) in Je suis fatigué Online activities: Research on French Canadian Politics  today. 
Vendredi 5 décembre Discussion: French Canadian Politics today. 
TV documentary (excerpts): Trudeau, Lévêque.
Workshop: Final Projects.
Semaine 16  
Lundi 8 
décembre
Final projects : presentations in groups (I)  Final Projects
Prepare a Powerpoint presentation for each project
Mercredi 10 décembre Final projects : presentations in groups (II) 
Vendredi 12 décembre Final projects : presentations in groups (III) 
Last day of classes