Christophe Ippolito
WPC 209, x62920
cippolito@uop.edu
Office hours: MW TBA and by appointment
Web site: www.uop.edu/~ippolitc
Course code on your on-line BlackBoard 6: FRNCH 193-FA03
REQUIRED TEXTS
1. Ludwig, Ralph (ed.). Écrire la parole de nuit. La
nouvelle littérature antillaise. Paris: Gallimard, 1994. Collection
Folio-essais #239. ISBN2-07-040204-5.
2. Glissant, Edouard. Le discours antillais. Paris: Galllimard,
1997. Collection Folio-essais, #313. ISBN 2-07-074622-4.
3. Robin, Régine. La Québécoite.
Montréal: XYZ, 1993. ISBN 2-89261-080-X.
4. Laferrière, Dany. Je suis fatigué. Montréal:
Lanctôt [PCL/petite collection lanctôt], 2001. ISBN 2-89485-181-2.
Recommended: Harper Collins Robert French Dictionary, 3rd edition.
All these texts are available at the College Bookstore.
COURSE OBJECTIVES AND DESCRIPTION
This course will examine the cultures of Francophone postcolonial diasporas
in the Americas. The focus will be on multicultural and marginal
social practices of French-speaking minorities from Canada to the Caribbean,
as represented in music, film, art, literature, television and other media.
The course will examine in particular the notions of créolité
and antillanité, and immigrant literature in Québec.
We will also reflect on the notions of gender, bilingualism and Francophonie,
and will analyze current French foreign policy.
Materials for this course will be drawn from excerpts of recent works,
journal articles and visual documents (collected in a reader or on-line),
popular songs, films, recent TV documentaries, and four texts, including
a novel and three collections of short stories and essays. After
introducing Francophone culture in the Americas, we will study it in two
different contexts. Class discussion and questions will take place
in French.
HOMEWORK AND ASSIGNMENTS
1. Papers (2) are prepared in class (the first, on Caribbean
culture: 8 pages, the second on the notion of diaspora as illustrated by
at least two examples of different cultures: 10 pages—15+ for majors).
They will be typed, double spaced, with a margin of 1.25 inches on all
sides. The papers must be your own work. Plagiarism (as defined
in the Student Handbook) is banned. Part of the assignment is to
learn to proof-read your own work. After your outline is completed,
you will submit a first draft of the paper. A week later, you will
submit a revised and corrected final version. Both grades will be
average to calculate the final grade for the paper. Accents must
be typed in, not written in pen or pencil. Papers turned in late
will receive a penalty of one letter grade per 24 hour period.
2. Oral Presentations (2): On the required texts or other documents
provided. They may be presented in groups. 10 minutes
max. Provide visual aid and copies for fellow students as needed, includig
a one-page outline. Cultural analysis of the documents. Importance and
relevance for our topic. Present 1-2 problems.
3. Weekly Web Reports to be posted on the Blackboard weekly
forums. They shall include your brief comments (at least 2 paragraphs
in French, 5-10 lines each), questions (at least 4) and eventual links
or attached files, on the readings assigned for the week, including required
texts, reports, films, documentaries, Internet research and other documents.
They have to be posted on Sunday by 8 p.m. for the following week for other
students to read them in time. This exploratory writing will prepare
you for discussion in class and may be used for your papers and presentations.
4. Final Project. To be prepared in groups of 3 or 4,
the project will address a particular aspect of Francophone diasporic cultures
to be determined by the students in each group. Each student will
present a section of the group project (10 minutes max.). Delivery,
originality of the material presented, quality of the research, and sources,
will be subject to peers’ and instructor’s evaluation. Particular
attention will be paid to the coherence of the group project as a whole.
Practice and time yourself to 10 minutes. Use any props which will
make you talk more interesting and easy to follow for the audience: pictures,
maps, charts, realia, etc. Be attentive when taking notes; it is
best to put the information into your own words as you are taking notes
from your sources. Prepare documentation of your sources to turn
it, including Internet sites. Do not read the report. You may
have brief notes, but they must be on index cards. Reading a report
will result in a reduction of one letter grade on the project. The same
rules apply for individual oral presentations.
5. Preparation of class assignments as reflected in class
participation.
COURSE EVALUATION
1. 30% Midterm Paper (on Caribbean culture) & Term
Paper (on a comparative and cultural study of the notion of diaspora)
based on...
2. 10% At least two Oral Presentations : on the required
texts or other relevant cultural documents (or any combination of both).
3. 30% Weekly Web Reports and results on online research
posted on the forums on the readings, films and other documents.
4. 10% Final Project (groups of 3-4 students; posted on
the forum): research, content, organization, delivery.
5. 20% Active Participation in class. Work in groups on
class activities. Attendance and participation are graded.
COURSE POLICIES
1. Attendance: Attendance in class is mandatory.
It is also a very important part of the final grade, as classes can be
considered as workshops. Since attendance is essential in this course,
regardless of their combined grade average, students with more than
5 absences will not receive an A, those with more than 10 will not receive
an A or a B, and students with more than 15 absences will automatically
receive a F. Excused absences require written documentation,
such as Dean or Doctor’s statement in case of illness (one exception: religious
holidays). Two late showings count for an absence.
2. Preparation: Students (and/or groups of students)
are expected to be well prepared before the actual classroom time
so that the class time can be fully used for practice at a desired pace.
This includes completing all reading assignments in time. Two hours
of preparation or more are usually necessary for each class period.
3. Any delay for a given assignment will automatically
lower your grade for this particular assignment by a letter grade.
4. Tutors, peers or others may be consulted on ungraded
assignments only, and with the instructor’s permission. Plagiarism
of sentences, texts and other documents is banned and will be handled according
to the UOP Honor Code. Specialized Internet search engines
now make the task of identifying plagiarism a fast and easy one.
5. UOP Honor Code: The University Honor Code is
an essential element in academic integrity. It is a violation of
the Honor Code to give or receive information from another student during
an examination; to use unauthorized sources during an examination; or to
submit all or part of someone else's work or ideas as one's own.
If a student violates the Honor Code, the faculty member may refer the
matter to the Office of Student Life. If found guilty, the student
may be penalized with failure of the assignment or failure of the course.
The student may also be reprimanded or suspended from the University.
A complete statement of the Honor Code may be found in the Student Handbook,
Tiger Lore.
6. Retention of Pedagogical Material: Copies of
students' work may be retained to assess how the learning objectives of
the course are being met.
7. Students with disabilities: Please notify
me about any special needs during the first week of the semester.
Those students needing accomodations due to a disability should arrange
a meeting with me during office hours and provide an accomodations request
letter obtained from the Office of Services for Students with Disabilities
in Bannister Hall, Room 101.
8. The following schedule is subject to changes.
Any changes will be announced in class, ahead of time. Should you
be absent on a day a change is announced, it is your responsibility to
remain apprized of all changes.
| Semaine 1 |
|
|
| TBA | Introduction, presentations. | |
| TBA | Discussion : The concept of diaspora. Colonization, decolonization, postcolonialism in Francophone America. | Online activities: Post (or bring) definitions/illustrations of the concept of diaspora.. |
| Semaine 2 | ||
| Lundi 2
septembre |
Read Ralph Ludwig’s introduction and René Depestre’s “Adieu à la Révolution” and “En fils créole de la francophonie” in Écrire la parole de nuit, 11-25, 53-57. | Weekly web posting on Blackboard: this week’s readings. |
| Mercredi 4
septembre |
Read René Depestre, “Les aventures de la créolité. Lettre à Ralph Ludwig,” in Écrire la parole de nuit, 53-57. | Online activities: Research on Caribbean culture. Post your result on the weekly forum. |
| Vendredi 6 septembre | TV documentary (excerpts): Aimé Césaire
Discussion: Caribbean culture. |
|
| Semaine 3 | ||
| Lundi 8
septembre |
Read Sylviane Telchid, “Mondésir” (French & Créole version) in Écrire la parole de nuit, 95-110. | Weekly web posting: this week’s readings. |
| Mercredi 10
septembre |
Read Hector Poullet & Sylviane Telchid, “'Mi bel pawol mi !’ ou Éléments d’une poétique de la langue créole,” in Écrire la parole de nuit, 181-190. | Online activities: Research on the Créole language. Create sentences in créole. Post your results on the forum. |
| Vendredi 12 septembre | Workshop: The Créole language. | |
| Semaine 4 | ||
| Lundi 15
septembre |
Read Édouard Glissant, “Le chaos-monde, l’oral et l’écrit,” in Écrire la parole de nuit, 111-129. | Weekly web posting: this week’s readings. |
| Mercredi 17
septembre |
Read Glissant, “Le premier voyage,” in Écrire la parole de nuit, 59-65. | Online activities: Research on Caribbean music. Present a song. |
| Vendredi 19 septembre | Discussion: Caribbean music. Workshop on your outline.
Music: Analysis of songs and videos by King Daddy Yod and Joëlle Ursull. |
|
| Semaine 5 | ||
| Lundi 22
septembre |
Discussion of the outlines and reports (both should be posted on the
weekly forum).
Film (excerpts): Euzhan Palcy, Rue case-nègres. |
MIDTERM PAPER (on Caribbean culture; outline).
One-page report on one story of your choice in Écrire la parole de nuit, to be posted on the week’s forum. |
| Mercredi 24 septembre | Read Gisèle Pineau, “Tourment d’amour,” in Écrire la parole de nuit, 79-87. | Weekly web posting: this week’s readings. |
| Vendredi 26
septembre |
Workshop: Midterm Paper. | |
| Semaine 6 | ||
| Lundi 29 septembre | Read “À partir d’une situation 'bloquée’,” “À partir de ce discours dans un discours” (13-18), “À partir d’une présentation faite de loin, il y a quelque temps,” “À partir des traces d’hier et d'aujourd’hui, mêlées,” “À partir du cri” (21-28), in Édouard Glissant, Le discours antillais. | MIDTERM PAPER (first draft).
Weekly web posting: this week’s readings. |
| Mercredi 1er octobre | Read “L’amorce,” “Repères: La francisation,” “Événement,” “Repères: la logique historique des rapports,” “La dépossession” (72-113), in Le discours antillais. | Online activities: Research on Glissant and his theories. |
| Vendredi 3
octobre |
Discussion: Glissant and his theories.
Workshop: Midterm Paper. |
|
| Semaine 7 | ||
| Lundi 6
octobre |
Read “Émigrés, enfants d’immigrés” (126-138), in Le discours antillais. | MIDTERM PAPER (Final version).
Weekly web posting: this week’s readings. |
| Mercredi 8
octobre |
Read “Épisodes de la dérision” (208-217), “Repères: Les occasions ratées,” “Pans et périodes” (268-274), Tableau sur la production littéraire (318-319), in Le discours antillais. | |
| Vendredi 10 octobre | TV documentary (excerpts): Second regard: Aimé Césaire, chemin faisant. Discussion: Liens Canada-Antilles | |
| Semaine 8 | ||
| Lundi 13
octobre |
Read “Musiques” (382-387), “Repères: les ruses du créole” (399-400), “Note complémentaire 2 sur une pseudo-relation” (433-435), “Montréal” (449-453), “Poussières” (519-520), “Le regard de l’autre” (522-535), in Le discours antillais. | Weekly web posting: this week’s readings. |
| Mercredi 15 octobre | Read “Québec” (566-567), “Documents” (569-574), “Le créole” (589-601), “Le créole partagé” (611-615), in Le discours antillais. | Online activities: Research on orality in the Caribbeans. |
| Vendredi 17 octobre | Discussion: Orality in the Caribbeans. | |
| Semaine 9 | ||
| Lundi 20
octobre |
Read “Textes du dogme de Cham,” (813-822), “Sur une pré-enquête: le cas Suffrin” (660-674), in Le discours antillais. | Weekly web posting: this week’s readings. |
| Mercredi 22 octobre | Read “Identité culturelle” (752-755), “Résolutions, résolution” (799-803), “Tableau de la diaspora” (809), in Le discours antillais. | Online activities: Research on religions in the Caribbeans. |
| Vendredi 24 octobre | Discussion: Religions in the Caribbeans. | |
| Semaine 10 | ||
| Lundi 27
octobre |
Read Robin, La Québécoite in time for today. Read particularly La Québécoite, 11, 13, 205-225 (postscript). The novel’s form. | Report on the whole novel due and posted on the forum by today.
Weekly web posting: this week’s readings. |
| Mercredi 29 octobre | Read La Québécoite, 15-37, 52-67 (the condition of immigrant). | Online activities: Research on immigration patterns in French Canada. |
| Vendredi 31 octobre | Discussion: Immigration patterns in French Canada.
TV documentary (excerpts): Le Nationalisme québécois. |
|
| Semaine 11 | ||
| Lundi 3
novembre |
Read La Québécoite, 67-112 (Becoming a Canadian). | Weekly web posting: this week’s readings. |
| Mercredi 5 novembre | Read La Québécoite, 37-51, 67-74, 139-141, 155-165, 192-200 : Jewish Identities. | Online activities: Research on the Canadian Jewish Community/Religion in Québec. |
| Vendredi 7 novembre | Discussion: The Canadian Jewish Community/Religion in Québec.
Film (excerpts): Arcand, Jesus of Montreal. |
|
| Semaine 12 | ||
| Lundi 10
novembre |
Read La Québécoite, 113-139 (Paris-Montréal)
and 141-155, 166-167 (life in Canada).
Read La Québécoite, 171-191, 200-206 (Love at Jean-Talon). |
TERM PAPER (on the notion of diaspora; outline). Weekly web posting: this week’s readings. |
| Mercredi 12 novembre | TV Documentary: Québec : Un pays, une musique (FR3 1984). | Online activities: Research on Gender Issues in Québec. |
| Vendredi 14 novembre | Music: Song and Videos: Luc de la Rochellière, Les Architexts.
Discussion: Gender Issues in Québec. |
|
| Semaine 13 | ||
| Lundi 17
novembre |
Read “Oeuvre : Une autobiographie américaine” (131-143), “Un rêve” (36-38), “Autoportrait” (50-55), “Je suis fatigué” (13), “Le Square Saint-Louis” (13-15) in Je suis fatigué. | TERM PAPER (first draft).
Weekly web posting: this week’s readings. |
| Mercredi 19 novembre | Read “Un, deux, trois libraires,” “Le voyage,” “Le choc culturel,” “Le premier roman,” “Le folklore” (66-77) in Je suis fatigué. | Online activities: Research/Presentation on Montréal. |
| Vendredi 21 novembre | Discussion: Montréal and Québec. | |
| Semaine 14 | ||
| Lundi 24
novembre |
Read “Noir/Blanc,” “Le Colonialisme,” “L’Amérique” (77-89) in
Je
suis fatigué.
Discussion: French Canadian Identity today. |
TERM PAPER (final version).
Weekly web posting: this week’s readings. Online activities: Research on French Canadian Identity today. |
| 26-28 nov. | Thanksgiving Break. | |
| Semaine 15 | ||
| Lundi 1er décembre | Read “La Langue, ” “La Guerre des langues, ” “Qui choisir” (89-94) in Je suis fatigué. | Weekly web posting: this week's readings. |
| Mercredi 3 décembre | Read “L’Argent, ” “Ma condition d’homme, ” “L’Ami mort, ” “Le Voyage et le retour” (94-100, 116-125) in Je suis fatigué. | Online activities: Research on French Canadian Politics today. |
| Vendredi 5 décembre | Discussion: French Canadian Politics today.
TV documentary (excerpts): Trudeau, Lévêque. Workshop: Final Projects. |
|
| Semaine 16 | ||
| Lundi 8
décembre |
Final projects : presentations in groups (I) | Final Projects
Prepare a Powerpoint presentation for each project |
| Mercredi 10 décembre | Final projects : presentations in groups (II) | |
| Vendredi 12 décembre | Final projects : presentations in groups (III)
Last day of classes |
|